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Luis Paret y Alcázar
Luis Paret y Alcázar
Spanish artist (1746-1799)
Registration: “Juan Ignacio Molina.o Miguel Gómez, Bishop of Segorbe.”; Illustration in: Molina, Juan Ignacio. “Compendium of the Civil History of the Reyno of Chile.” Madrid, 1795
The press depicts a woman and a boy in the rump of a donkey pulled by a man who, while crossing the arc of Tito, observe an alms friar. Next to the friar a woman sitting on a boulder is filming. From the opening of the arc is the Colosseum, remounted on c…
In blue ink, on the cover: “49 drawings”; According to Barcia, Spanish works from the 18th and 19th centuries, some anonymous and others authored: Juan Arnal, Paret, Prieto, Rafael Mengs and Anton Raphael Mengs; The numbering of the drawings of the album …
Summary: Sitting, measuring the balloon with a beat and looking at the stars; Anonymous Spanish work of the s. XVIII according to Barcia who relates it to another drawing, also for vignette (BNE, Dib/16/5/4, B-2062); It presents characteristics close to P…
Inscription manuscript to ink at lower right angle: “Shield of D. Juan... Brigadier, Secre.o de Estado y Guerra del Inf.e D. Felipe.”
Summary: Baroque style. The virile, in the shape of a cross, is held by a mancebo angel. The Peana presents a double proposal; Work of Luis Paret and Alcázar, according to Barcia; Gaya Nuño, Delgado and Morales Marín corroborate it.; …
Dutch filigree in the center: Strasbourg Shield; Barcia catalogs him as the work of Luis Paret and Alcázar; Gaya Nuño, Delgado and Morales Marín corroborate it.; …
Filigrana in the center: Strasbourg coat of arms; Summary: Dragon on a balloon resting on war trophies piled up on the pedestal; Work of Luis Paret and Alcázar, according to Barcia; …
Inscription pen and black ink in the lower margin: “FREY [sic] LOPE FELIX/DE VEGA CARPIO.”; Filigrana in the lower margin: Flower de lis; Summary: Rectangular frame with ornamentation; at the bottom: lyre, open book and a flame in the center. Space for Re…
Manuscript inscription of pen and black ink in the lower margin: “D. ALONSO de ERCILLA”; Summary: Rectangular frame ornamented with interlaced snakes at the top; weapons, trumpet and laurel wreath at the bottom. Space for Rectangular Portrait; Barcia cata…
Manuscript inscription of pen, brush and black ink in the lower margin: “ALONSO de ERCILIA [sic]”; Date taken from the publication with which it is related, El Parnaso Español; Summary: Vano oval inscribed in rectangle with ornates and attributes; …
On the lower edge, in black ink: “;” this emblem is/the q.e seadepose "; Cut Filigree: Shield in Upper Margin; Summary: Vano oval inscribed in rectangle with ornates and attributes; …
Barcia catalogs him as the work of Luis Paret and Alcázar; Gaya Nuño, Delgado and Morales Marín corroborate it.; Title taken from Barcia
Summary: In the left hand a book, moving the right hand as if it recites something it tries to remember. In the background, part of a curtain, oval frame and table with objects.; Work of Luis Paret and Alcázar, according to Barcia; Title taken from Barcia…
In graphite pencil, on the lower edge: “Orijinal de Dn. Luis Paret.”; Dutch Filigrana: D & C Blauw 4; The paper mill worked this filigree between 1733 and 1827.; …
Filigrana cut in left margin: “AN”; Date taken from painting by Morales and Marín; Summary: Preparatory drawing for painting: La Visitación de la Virgen to Santa Isabel (chapel of San Juan del Ramo, Navarra); …
Manuscript inscriptions in Greek, pen and black ink, in the upper margin; A pen and brown ink in the lower margin: “The Glory of Anaceonte: represented in a chorus of Bacantes, Satyros and Faunas q.e are called at the foot of the statue/Poet to hear the M…
A sanguina: “Dn Luis”; Below, in pen and black ink: “Dn. Luis Paret painter, was born in Madrid/the year 1746 and died in that villa in 1799/En la Acª de Sn. Fern.do there is a painting in the 7th room q.e represents Diogenes to whom other figs. and is of…
Summary: Reclining female nude, possibly Galatea, surrounded by figures that seem over the waters.; Work of Luis Paret and Alcázar, according to Barcia who believes could be related to some decorative painting, perhaps for roofs.; Gaya Nuño, Delgado and M…
Registration on the image: “Signat cuncta manu, loquitur POLYMNIA gesta.”; Luis Paret’s original preparatory drawing in the National Library (DIB/15/54/10); The stamp appears in the same sense as the drawing.
Luis Paret’s original preparatory drawing in the National Library (DIB/15/54/7); The stamp appears in the same sense as the drawing.
Manuscript inscription with pen and black ink in the lower margin: “Come. Adonis killed in hunting.”; Summary: Dead Venus and Adonis. In oval medallion, with rectangular frame. Below, fabric collected with inscription; Barcia catalogs him as the work of L…
Inscripción: "D. XAVIER MARIA DE MUNIVE, Conde de Peñaflorida primer Director de la Sociedad Bascongada"
Registration: “Juan Ignacio Molina.o Miguel Gómez, Bishop of Segorbe.”; Il. in: Molina, Juan Ignacio. ® Compendium of the Civil History of the Reyno of Chile®. Madrid, 1795; Illustration of Compendium of the Civil History of the Reyno of Chile, by Juan