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Byzantské výtvarné umenie
Byzantské výtvarné umenie
Art of the Byzantine (Eastern Roman) Empire
A clipping from the newspaper "I Neolaia", dated September 25, 1938. featuring an article on the treasures kept in Italian libraries.
A clipping from the newspaper "Kathimerini", dated February 6, 1966.
The work "Cyclades I" belongs to the homonymous series of works, which the artist works with thin slabs of white marble, presenting abstract compositions that are distinguished for their geometric simplicity and rigor. As she noted in 1986: '…
The work "Aegean I" belongs to the period of works in which the artist presents abstract compositions that are distinguished for their geometric simplicity and strictness. Squares, circles, parallelograms and semi-circles create compositions, pr…
The work "Sun" belongs to the group of works in which the artist uses mainly thin slabs of white marble, presenting abstract compositions that are distinguished for their geometric simplicity and rigour. She feels that marble - and more specific…
Το έργο "Η Πύλη" ανήκει στην περίοδο έργων, που η καλλιτέχνιδα δουλεύει με λεπτές πλάκες άσπρου μαρμάρου, παρουσιάζοντας αφηρημένες συνθέσεις που διακρίνονται για τη γεωμετρική απλότητα και αυστηρότητά τους. Αισθάνεται ότι το μάρμαρο την εκφράζε…
The work "Development of circle" belongs to the works that Alex Mylona worked on in the mid-1970s. Excited by the new materials offered by technology, she continues to experiment using zinc in her new compositions. The creator starts from a flat…
The work " Birth I" by Alex Mylona belongs to her early sculptures, in which she represents human figures and the themes of her work are recognizable. The artist often deals in various cycles of her work with the theme of the evolution of life, …
The artist depicts a semi-detailed female figure with naturalistic volumes that dominate the overall composition. The figure seems to rest on her right arm, while her left arm "rests" on her thighs, and the overall composition exudes a general s…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…
The work "The Proud One" belongs to the period of works in which the artist works with thin slabs of white marble, presenting abstract compositions that are distinguished by their geometric simplicity and rigour. She feels that marble - and more…
Alex Mylona created the work "Fall of Triangles I" in 1993, during a period when she was working with thin slabs of white marble, presenting abstract compositions that are distinguished for their geometric simplicity and rigor. She feels that ma…
On the terrace of MOMus-Museum Alex Mylona, Kouros and Kore, two iconic marble sculptures by Alex Mylona, stand silently side by side in a hierarchical manner, in a rhythmic communication of lines, volumes, levels and shapes. The two bodies are imposed al…
Oppenheim, collaborating with E. Kienholz in his first artistic steps, creates works that are characterized by elements of Netondaism and which he subsequently destroys. His entire oeuvre is the expression of his personal reflection on the role of art and…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…
The cycle of life and nature, myth and fictional stories feed the personal code of communication of George Gyparakis, which is complex, both constructively and conceptually. Combining post-industrial materials with natural elements, he creates installatio…
Klearchos Loukopoulos was one of the pioneers in the reception and establishment of modernist sculptural trends in Greek art. His realistic efforts in the interwar years gave way, post-war, to anthropocentric sculptures distinguished by their archaic abst…
Stergios Tsioumas' work "For you, my love", a small iron cage placed on a high metal base, alone negates its restrictive purpose: the bars are broken and left open. Love opposes the concept of prison. Any intention of commitment remains cons…
Costas Coulentianos is one of those artists who are particularly well represented in the collections of the MOMus-Museum of Contemporary Art, through works in which he uses traditional sculptural materials. The central concern running through his work is …
The sculptural composition "Untitled" is based on geometric vocabulary and constructivist values. With an absolutely disciplined-logical perception, which is initiated by mathematical relations and theories, the artist organizes the composition …
At the core of Ioannis Avramidis' art is the creative interplay with both the past (archaic sculpture) and contemporary artistic pursuits. Paying special attention to technique and materials, he transforms the human form into a kind of cylindrical col…
"Bird" by Nikos Bacharides is a sculptural composition with strong abstract elements. It represents a shaped bird, a theme that recurs frequently in his work. The artist creates minimalist forms, emphasising the material of the work. The white s…