- finch trap, finchery
- pottery paintings (visual works)
- images (object genre)
- riding a horse, ass, or mule; rider, horseman
The C Painter was one of the most important Attic black-figure vase painters. His works date to circa 575-550 BC.His conventional name was allocated by the archaeologist John Beazley. The C stands for "Corinthianising", a reference to the strong influence of Corinthian vase painting on the artist. He was successor to the Comast Group and used the relatively old-fashioned range of vessel shapes preferred by that group, including '’lekanis’’, tripod kothon and skyphos. In contrast, he also painted quite innovative lekythoi with pronounced shoulders, although the more conservative Deinaeira type was still in use by some workshops at his time. The C Painter was the first Attic vase painter to paint cups without an offset lip, the Merrythought cup.As indicated by his conventional name, the C Painter followed Corinthian precedents. He painted duelling warriors, horsemen, symposiasts, and komasts. He followed the Corinthian habit of adding white paint for details, but used the Attic technique of doing so: the white paint was added onto the black slip, rather than directly to the base clay. Hy mythological images represent a departure from Corinthian precedents. He painted them in elongated friezes, resembling the work of the Gorgon Painter or Kleitias. His powerful figures are carefully painted, often with a somewhat enlarged head. A characteristic feature of his work are animal heads used as shield emblazonments. Especially important is his work as a painter of Siana cups. He is considered the earliest and best painter of that shape. Probably towards the end of his career, his workshop produced cups resembling the later lip cups. His most fanour work is the lid of a lekanis, now on display in Naples. It bears the earliest known depiction of the death of Astyanax. One vase by the C painter bears the remainder of an inscription: …eiron epoie (..eiron made it), suggesting that his real name was Cheiron or Pheiron.
Coppa tipo Siana(overlap). Una sottile striscia riservata sotto l'orlo all'interno;una linea subito sotto il labbro all'esterno;nella parte inferiore della vasca una fascia risparmiata,nella quale corrono quattro filetti orizzontali.Interno del piede risparmiato,tranne che...
Schalen dieser Form werden nach einem ihrer ältesten Fundorte - der Nekropole von Siana auf Rhodos - als Siana-Schalen bezeichnet. Seite A zeigt vier ausgelassene, fröhliche Tänzer (Komasten), die mit ausgreifenden Armen und zum Teil gehobenen Beinen ihren Tanz vorführen....