Contemporary art and the museum in the global age; El arte contemporáneo y el museo en la era global
Hans Belting (born 7 July 1935, Andernach) is a German art historian and theorist of medieval and Renaissance art, as well as contemporary art and image theory. He was born in Andernach, Germany, and studied at the universities of Mainz and Rome, and took his doctorate in art history at the University of Mainz. Subsequently he has held a fellowship at Dumbarton Oaks (Harvard University), Washington, D.C..Belting taught as a professor at the University of Hamburg in 1966. He taught as a professor of art history at the University of Heidelberg, and from 1980 to 1992 as a professor at the Ludwig-Maximilians-Universität at Munich. From 1992 until his retirement in 2002, he was professor at the Institute for Art History and Media Theory at the State College of Design in Karlsruhe. From October 2004 until the end of September 2007, Belting served as Director of the Internationalen Forschungszentrums Kulturwissenschaften (International Research Centre for Cultural Studies) in Vienna.Belting is a member of various scientific academies in Germany and the U.S., including the Heidelberg Academy of Sciences, a fellow of the Wissenschaftskolleg in Berlin, and honorary member of the Zentrum für Literatur- und Kulturforschung Berlin (since 2006). He is a member of the Order pour le Mérite of Arts and Sciences and a member of the Board of Trustees of the Museum of Modern Art Ludwig Foundation Vienna (MUMOK). He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1992.Belting published his first monograph in 1962 (Die Basilica dei Ss. Martiri in Cimitile) and since then has authored more than thirty books, some of them translated in various languages. His essay The End of Art History? attracted considerable attention and Belting expanded it in successive editions.
Perneczky Géza: ◊ A "művészet vége" - baleset vagy elmélet? ◊ Hans Belting: ◊ A művészettörténet vége és napjaink kultúrája ◊ Arthur C. Danto: ◊ Történetek a művészet végéről ◊ Gianni Vattimo: ◊ A művészet halála vagy hanyatlása; javított változat
En el lomo: 3032; Bibliografía: p. -318. Índice; Sumario: A pesar de la persistencia y de la continuidad que la fabricación de imágenes ha demostrado a lo largo de la historia humana, no se ha establecido, hasta ahora, una ciencia general de la imagen que pueda dar...
Horyzonty Nowoczesności : teoria, literatura, kultura ; 62