"Vita hägrar vid stranden av en flod, där några bambustånd slagit rot." Sen imitation. Målning i tusch och färger på siden.; NMOK-115-10; Signerad Qian Shunju, men sannolikt en sen imitation efter konstnären,; China
- Visual arts
Qian Xuan (simplified Chinese: 钱选; traditional Chinese: 錢選; pinyin: Qián Xuǎn; Wade–Giles: Ch'ien Hsüan; 1235-1305) courtesy name Shun Ju (舜举), pseudonyms Yu Tan (玉潭, "Jade Pool"), Xi Lan Weng (习嬾翁), and Zha Chuan Weng (霅川翁) was a Chinese painter from Hu Zhou (湖州） (present day Wuxing District in Zhejiang) during the late Song and early Yuan era. He started as an aspiring scholar-official during the Southern Song. He had difficulty climbing the ranks of officialdom and when the Mongol-founded Yuan Dynasty took over the southern regions of China in 1276 he effectively gave up on the idea. Although in 1286 his friend Zhao Mengfu accepted a position and so for a time it seemed he could as well, he refused on patriotic grounds, citing old age in order to avoid difficulties. Qian Xuan's life after 1276 was devoted to painting, and he became noted as a "fur and feathers" painter. He was also adept at bird-and-flower painting, character painting, and landscape painting (shan shui). He is known for landscapes that hinted at a longing for a return of native Chinese rule, such as in the work Home Again. He mixed Song realism with an archaic Tang style.