535 riżultati fi ħdan Istituzzjoni Museo Thyssen-Bornemisza

These panels were acquired in 1928 from the Haberstock gallery in Berlin along with two other works now in the Collection. They were first presented to the general and specialist public at the exhibition held in 1930 at the Neue Pinakothek in Munich. One …

Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the young Master Gabriel recorded in Munch in 1455 where he was paid for some minia…

Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the young Master Gabriel recorded in Munch in 1455 where he was paid for some minia…

Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the young Master Gabriel recorded in Munch in 1455 where he was paid for some minia…

The first recorded information relating to Gerard David dates from 1484 when the painter is documented in Bruges. It is known that David was born in the northern Low Countries in Oudewater but we have no information regarding his training. He may have stu…

Aert de Gelder began his artistic training in his native city with Samuel van Hoogstraten. He then continued his studies for about two years in Rembrandt’s studio in Amsterdam where he arrived around 1661. Following this period De Gelder returned to Dord…

Adriaen Thomasz. Key is first documented in Antwerp in 1568 where he is recorded in the painters’ guild. Little information survives prior to that date, although his early works, particularly his portraits, bear some resemblance to those of Willem Key. Ad…

In 1636 Van der Helst was living in Amsterdam, where he became the city’s most successful portraitist from the 1640s due to the patronage of Amsterdam’s wealthiest families. One of his first compositions following his move to that city was the painting of…

This portrait entered the Thyssen-Bornemisza collection in 1929 and a year later was included in the exhibition in Munich that first revealed this important and hitherto unknown private collection to the general public. The painting was previously unpubli…

Martin Schaffner, an artist associated with the city of Ulm, developed a style that combined late Gothic formulas with Renaissance elements. Little is known of his early years and the date of his birth is known from an annotation by the artist on one of h…

Both panels were acquired for the Collection in 1929 from Lucerne Fine Art, Switzerland. One month later, Georg Gronau wrote a report in which he praised the quality and artistic merit of these works and the poetic landscapes in which the narratives are s…

Van Ruisdael painted the outskirts of his native city on numerous occasions, using different viewpoints and a range of motifs and experimenting with the perspective and presentation of the view. These broad, panoramic scenes cannot be considered strictly …

Jan van Scorel played an important role in Netherlandish art through his dissemination of Italian Renaissance ideas and models. Van Scorel combined his activities as a painter with ecclesiastic posts and with other interests that included engineering and …

Michiel Sweerts was among the 17th-century Dutch and Flemish artists who lived in Rome and depicted daily life in the city. He lived there for around ten years (1646–56), during which time he produced genre compositions of the type invented by Pieter van …

Along with Titian and Tintoretto, Paolo Caliari — known as Veronese — was one of the great names of Venetian Renaissance art. Veronese trained in his native city of Verona, from where he derived the name by which he was known. The influence of his masters…

This vertical-format panel entered the collection from the Italian artmarket prior to 1930. The earliest related documentation are two reports written by Raymond van Marle and Wilhelm Suida in which these authors comment on the quality and attribution of …

Alvise Vivarini was born into a family of artists and first trained with his father. The most important artists in the family were his father, Antonio, and his uncle Bartolomeo. The workshop of these painters was one of the most active in Venice and the s…

This small panel of the Virgin and Child belonged to Frederick II of Prussia. It was in the Rohoncz collection by 1930, the date when it was included in the exhibition held at the Neue Pinakothek in Munich which first revealed Heinrich Thyssen’s collectio…

Portraits constitute an important chapter within Rogier van der Weyden’s oeuvre, including images of donors in his religious compositions as well as independent heads and bust-length presentations. A significant number of these images can be related to th…

Joos van Cleve depicted himself on a number of occasions in his religious compositions as one of the onlookers or the figures surrounding the holy protagonists. Some of these self-portraits were recognised by Jan Bialostocki, who detected the earliest sel…

The Swiss-born artist Angelica Kauffman trained with her father Joseph who specialised in mural decoration. A highly talented and precocious painter, her first independent works date from her teenage years. Kauffman lived and worked throughout her life in…

This panel belonged to the Edward Solly collection in Berlin and later, between 1821 and 1928, to the Kaiser-Friedrich Museum in Berlin. During the time that it was in that museum the panel acquired a wax stamp on the back and an old inventory number. It …

According to Karel van Mander, Jacob Cornelisz. van Oostsanen was from Oostzaan. Almost nothing is known regarding this painter’s early training although art historians have detected the influence of Geertgen tot Sint Jans in his early work. It has also b…

Acquired from a private collection, this oil was included in the exhibition held at the Neue Pinakothek in 1930 when the Thyssen- Bornemisza collection was first brought to the attention of the wider public. In the catalogue of that exhibition, Rudolf Hei…