98 rezultāti sadaļā Iestāde Fondazione Cerratelli

Theatrical costume for the character of Pharaoh in Moses by Gioachino Rossini, 1973. Theatrical performance directed by Mauro Bolognini in 1973 at the Maggio Musicale Fiorentino. \Costume of fantastic inspiration that identifies the figure of Pharaoh, rul…

Dance costume for the character of Giselle in Giselle by Adolphe - Charles Adam, 1974. Ballet directed by Beppe Menegatti in 1974 at the Donizetti Theatre of Bergamo. \Costume freely inspired by the eighteenth century created by Anna Anni, costume designe…

Theatrical costume for the character of an officer in Duca d'Alba by Gaetano Donizetti, 1981. Theatrical performance directed by Mauro Bolognini in 1981 at the Maggio Musicale Fiorentino. Costume created by Anna Anni, master in recreating historical c…

Theatrical costume for the character of Roderigo in Otello by Giuseppe Verdi, 1986. Film-opera directed by Franco Zeffirelli in 1986. \Costume that reproduces a male suit in use among the nobles of the Republic of Venice in the second half of the sixteent…

Theatrical costume for the character of Mephistopheles in Mefistofele by Arrigo Boito, 1989. Theatrical performance directed by Carlo Maestrini in 1989 at the Maggio Musicale Fiorentino. \Costume of fantastic inspiration that identifies the sinister figur…

Costume - mantle - theatrical for the character of Turandot in Turandot by Giacomo Puccini, play directed by Giorgio Venturini in 1940, Maggio Musicale Fiorentino. Costume of oriental inspiration that identifies the figure of the princess Turandot and evo…

Theatrical costume for male character of the court of Turandot in Turandot by Giacomo Puccini, play directed by Giorgio Venturini in 1940, Maggio Musicale Fiorentino. Costume of oriental inspiration that identifies a mask in the court ceremony. The costum…

Theatrical costume for the character of Pharaoh in Moses by Gioachino Rossini, play directed by Hugo de Ana in 1991, Teatro Comunale di Bologna. Costume of fantastic inspiration that evokes the figure of the Pharaoh of Egypt. The costume and set design, a…

Theatrical costume for the character of a castellana in Vincenzo Bellini's I Puritani, a play directed by Guido Salvini in 1989, Maggio Musicale Fiorentino. The conception and design of the costume are based on the figures of Giorgio De Chirico who in…

Theatrical costume for the character of a soldier of Cromwell in I Puritani by Vincenzo Bellini, theatrical performance directed by Guido Salvini in 1989, Maggio Musicale Fiorentino. The conception and design of the costume are based on the figures of Gio…

Theatrical costume for the character of an Armigero of Lord Gualtiero Walton and Lord Arturo Talbo in I Puritani by Vincenzo Bellini, theatrical performance directed by Guido Salvini in 1989, Maggio Musicale Fiorentino. The conception and design of the co…

Film costume for the character of Pope Innocent III in Brother Sun Sister Moon directed by Franco Zeffirelli, 1972. The costume is a free interpretation of a rich and precious ecclesiastical cope; it was designed by Danilo Donati and is an example of the …

Theatrical costume for the character of Desdemona in Otello by Giuseppe Verdi, play directed by Miklos Jancso in 1980, Maggio Musicale Fiorentino. The costume, inspired by the late sixteenth century, identifies the figure of the female protagonist Desdemo…

Theatrical costume for the character of Attila in Attila by Giuseppe Verdi, play directed by Sandro Sequi in 1972, Maggio Musicale Fiorentino. The costume was conceived and designed by Pier Luigi Pizzi, costume designer, set designer and director, who has…

Repertoire costume made by the Casa d'Arte Cerratelli between 1980 and 1985. The costume was used in several opera performances in the second half of the twentieth century. The costume is freely inspired by an eighteenth-century style and is enriched …

Theatrical costume for the character of Octavia in L'incoronazione di Poppea by Claudio Monteverdi, play directed by Corrado Pavolini in 1937, Maggio Musicale Fiorentino. The costume reproduces an eighteenth-century woman's dress, faithful in form…

Theatrical costume for the character of Poppea in L'incoronazione di Poppea by Claudio Monteverdi, play directed by Corrado Pavolini in 1937, Maggio Musicale Fiorentino. The costume reproduces a ceremonial dress worn for the coronation scene, anti-his…

Exhibition of stage costumes of the Cerratelli Foundation. Costumes made in the twentieth century, the Genoese costume designer Emanele Luzzati. Costumes hand-painted, screen-printed or made with the technique of patchwork, which highlight the eclecticism…

Exhibition of stage costumes of the Cerratelli Foundation. Costumes made in the twentieth century, the Genoese costume designer Emanele Luzzati. Costumes hand-painted, screen-printed or made with the technique of patchwork, which highlight the eclecticism…

Exhibition of stage costumes of the Cerratelli Foundation. Costumes made in the twentieth century, the Genoese costume designer Emanele Luzzati. Costumes hand-painted, screen-printed or made with the technique of patchwork, which highlight the eclecticism…

Exhibition of stage costumes of the Cerratelli Foundation. Costumes made in the twentieth century, by internationally renowned costume designers for the most important theaters around the world.

Exhibition of stage costumes of the Cerratelli Foundation. Costumes made in the twentieth century by internationally renowned costume designers for the cinema and the most important theatres in the world.

Exhibition of stage costumes of the Cerratelli Foundation that pays tribute to one of the most important costume designers of the twentieth century: Anna Anni (1926-2011). Costumes made for theatre, cinema and dance.

Exhibition of costumes from the Cerratelli Foundation set up at the Museum of Graphics of the University of Pisa. The costumes on display are all related to the opera Don Giovanni by Wolfgang Amadeus Mozart. More classical costumes in terms of style and d…