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Tobit and Anna with the Kid
Tobit’s blindness has condemned him and his wife to a life of grinding poverty: his once expensive tabard is
torn and tattered. When Anna comes home with a kid, a reward for her hard work, Tobit thinks she has stolen
it. In desperation, he prays God to grant him a quick death. Anna looks on in bewilderment.
Editore
- Rijksmuseum
Argomento
- http://iconclass.org/71T37
Tipo di oggetto
- painting
- Pittura
Medium
- Purchased with the support of the Vereniging Rembrandt, the Rijksmuseum-Stichting, the Prins Bernhard Fonds and an additional government funding
Editore
- Rijksmuseum
Argomento
- http://iconclass.org/71T37
Tipo di oggetto
- painting
- Pittura
Medium
- Purchased with the support of the Vereniging Rembrandt, the Rijksmuseum-Stichting, the Prins Bernhard Fonds and an additional government funding
Fornitore di contenuti
Aggregatore
Dichiarazione dei diritti del supporto in questo record (se non diversamente specificato)
- http://creativecommons.org/publicdomain/mark/1.0/
- http://creativecommons.org/publicdomain/mark/1.0/
Diritti
- Public Domain
- Publiek Domein
Data di creazione
- 1626
- 1626
Luogo-Tempo
- second quarter 17th century
Provenienza
- ...; ? sale, Pieter van Buytene (Oude Koornmarkt, Delft), sold on the premises (A. de Groot), 29 October 1748, no. 91 ('De blinde Tobias met zyn Vrouw, door Rembrand'), fl. 28;{Hoet 1752, II, p. 231, no. 91.} ...; ? sale, Amsterdam (H. de Leth), 17 April 1759 sqq., no. 103 ('Tobias zyn Huisvrouw bestraffende, door Rembrand van Rhyn'), fl. 27, to Yver;{Copy EBNP.} ...; ? sale, Jeanne-Louise-Henriette Campan (1752-1822, Paris and Nantes), Paris (A. Coquille et al.), 10 March 1823, no. 76 ('Tobie aveugle et Anne, sa femme. "Elle allait tous les jours faire de la toile, et apportait, du travail de ses mains ce qu'elle pouvait gagner pour vivre. Il arriva donc qu'ayant recu un jour un chevreau, elle l'apporta à la maison, et son mari l'ayant entendu crier, dit à sa femme: Prenez garde que ce chevreau n'ait été dérobé. Alors sa femme lui répondit en colère: il est aisé de voir combien toutes vos espérances étaient vaines, et à quoi se sont terminées toutes vos aumônes (L. de Tobie, ch. II, v. 19)". Il paraît que Rembrandt affectionnait beaucoup les scènes de la vie de Tobie; il en a tiré trois sujets de ses meilleurs Tableaux. Celui-ci, plein d'expression, et d'une belle couleur, est terminé comme ceux de ses premiers temps; il porte la date 1627. Rembrandt n'avait que 24 ans'.); ...; collection Dmitry Shchukin (1855-1932), Moscow, shortly after 1905;{Bruyn et al. I, 1982, p. 87.}; ...; dealer J. Goudstikker, Amsterdam, 1917;{Bruyn et al. I, 1982, p. 87.} ...; collection Baron Heinrich Thyssen-Bornemisza (1875-1947), Schloss Rohoncz, Lugano, 1937;{Coll. cat. Thyssen-Bornemisza 1937, pp. 125-26, no. 343.} his daughter, Gabrielle W.H.M. Baroness Bentinck, née Thyssen-Bornemisza (1915-), Paris (on loan to the museum 1956-79, SK-C-1448); from whom, fl. 3,000,000, to the museum, with support from the Vereniging Rembrandt, the Rijksmuseum Stichting and the State of the Netherlands, 1979
Codice di identificazione
- http://hdl.handle.net/10934/RM0001.COLLECT.5241
- SK-A-4717
Estensione
- height 39.5 cm
- width 30 cm
Formato
- panel
- oil paint (paint)
Lingua
- nl
Fa parte di
- collection: paintings
- collectie: schilderijen
Anno
- 1626
Paese fornitore
- Netherlands
Nome della collezione
Pubblicato per la prima volta su Europeana
- 2014-05-27T20:16:30.791Z
Ultimo aggiornamento dal fornitore di contenuti
- 2018-03-17T14:38:09.360Z