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The Deposition and the Entombment
These two panels are probably fragments from a larger ensemble devoted to the Passion of Christ. The artist followed established conventions for depicting grief and sorrow through gesture. This approach was characteristic of the stiff, rather formulaic style derived from Greek and Byzantine models that was prevalent in 13th-century Italy.
Editore
- Rijksmuseum
Argomento
- http://iconclass.org/73D71
Medium
- J.W.E. vom Rath Bequest, Amsterdam
Fornitore di contenuti
Aggregatore
Dichiarazione dei diritti del supporto in questo record (se non diversamente specificato)
- http://creativecommons.org/publicdomain/mark/1.0/
- http://creativecommons.org/publicdomain/mark/1.0/
Diritti
- Public Domain
- Publiek Domein
Data di creazione
- 1290
- 1290
Luoghi
- Florence
- urn:rijksmuseum:thesaurus:RM0001.THESAU.6328
- Pisa
- urn:rijksmuseum:thesaurus:RM0001.THESAU.51375
- Pisa
- urn:rijksmuseum:thesaurus:RM0001.THESAU.51375
Provenienza
- …; from the dealer Edward Hutton, London, fl. 3,662, to Julius Wilhelm Edwin vom Rath (1863-1940), Amsterdam, 1925;{Note RMA.} by whom bequeathed, with xx other objects, to the museum, 1941
Codice di identificazione
- http://hdl.handle.net/10934/RM0001.COLLECT.9663
- SK-A-3392
Estensione
- height 18.5 cm
- width 18 cm
Formato
- panel
Lingua
- nl
Fa parte di
- collection: paintings
- collectie: schilderijen
Anno
- 1290
Paese fornitore
- Netherlands
Nome della collezione
Pubblicato per la prima volta su Europeana
- 2014-05-27T20:15:31.845Z
Ultimo aggiornamento dal fornitore di contenuti
- 2018-03-17T14:37:48.883Z