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Art byzantin
Art byzantin
Art développé dans l'Empire de byzance
A clipping from the newspaper "To Vima", dated February 24, 1985, featuring an article on the auction of Byzantine icons from Eric Bradley's collection in 1985 in London.
A clipping from the magazine "O Taxydromos", issue 52, dated December 23, 1976, featuring an article about the theft of Byzantine icons.
In the early 1990s, Mylona executed the series of works "Angels" and "Kouroi" with almost clear marble slabs, which are characterized by minimalist and unadorned lines and absolute geometry. Their simple design and the elegance of the …
In the early 1990s Alex Mylona created the series of works "Kouroi" and "Angels" in transparent marble. These series are characterized by absolute geometry, minimalist and unadorned lines. In 1997, returning to representationalism, sch…
In the early 1990s, Mylona executed the series of works "Angels" and "Kouroi" with almost clear marble slabs, which are characterized by minimalist and unadorned lines and absolute geometry. Their simple design and the elegance of the …
The work "Three Squares" belongs to the period of works in which the artist works with thin slabs of white marble, presenting abstract compositions that are distinguished by their geometric simplicity and rigour. She feels that marble - and more…
The work "Horses" belongs to the period of works in which the artist works with thin slabs of white marble, presenting abstract compositions that are distinguished by their geometric simplicity and rigour. She feels that marble - and more specif…
The work "Thinking" belongs to the period of works in which the artist works with thin slabs of white marble, presenting abstract compositions that are distinguished for their geometric simplicity and rigour. She feels that marble - and more spe…
Το έργο "Φρεγάτα" ανήκει στην περίοδο έργων, που η καλλιτέχνιδα δουλεύει με λεπτές πλάκες άσπρου μαρμάρου, παρουσιάζοντας αφηρημένες συνθέσεις που διακρίνονται για τη γεωμετρική απλότητα και αυστηρότητά τους. Αισθάνεται ότι το μάρμαρο -και πιο σ…
The work "Fall of Triangles II", which has been executed in lacquered black wood, is a variation of the work "Fall of Triangles I", which has been created in white marble. In both cases, regardless of the material of construction, the …
Aluminium was a favourite material for Alex Mylona, who created a series of works. In 1968, in one of her early attempts to render female and male torsos, she created torsos with aluminium sheets, which she placed on wooden bases. The abstract composition…
The work "Tilted constraction" belongs to the works that Alex Mylonas worked on in the mid-1970s. Excited by the new materials offered by technology, she continues to experiment using zinc in her new compositions. The creator starts from a flat …
The play of the empty and the full, the positive and the negative, is what the artist is concerned with and what gives depth to the frontality. In the section "Reversible", the game is complicated by the overturning of the different parts that s…
The work "Pieta II" by Alex Mylona belongs to her early sculptures, in which she represents human figures and the themes of her work are recognizable and is part of a series of drawings and works that have as their theme the Crucifixion and the …
The work "Lonely chair" consisting of porcelain covered with resin, represents a plasticized overcoat that entirely covers a white chair. It is a characteristic example of the artist's sculpture, as she often uses the practice of covering ob…
In the mid-1960s, Niki de Saint Phalle began creating a series of artworks that abandoned the flat plane and expanded into three-dimensional space. This marked the period of the anonymous black woman and her Nanas, the plump, happy women who emerged as he…
Zongolopoulos started off as a representational artist before coming finally to abstract works. At first his preferred subject was the human figure. This was followed by works based on a vertical arrangement of geometrical volumes, following constructivis…
Τα έργα «Χωρίς τίτλο» του Γιώργου Ζογγολόπουλου της συλλογής του Μουσείου Σύγχρονης Τέχνης ανήκουν στην τελευταία φάση δουλειάς του καλλιτέχνη, στην οποία βασικό δομικό υλικό αποτελεί το ανοξείδωτο μέταλλο. Μικρής σχετικά κλίμακας, οι συνθέσεις αυτές ορίζ…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…
Novello Finotti came into early contact with the work of Rene Magritte and Giorgio de Chirico, which was a catalyst for the later development of his artistic career, as after the mid-1960s he assimilated some of the basic characteristics of surrealism in …
The series of installations "Ladders", one of which belongs to the permanent collection of the Museum of Contemporary Art, reveals Aperghis' constant search for a definition of art. In the first version of the work, which was presented at th…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…
In the late 1950s Achilleas Aperghis moved away from figurative sculpture and experimented with abstraction, presenting the first examples of his personal abstract language at the French Institute (1958), where he presented a series of sculptures executed…