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José del Castillo
José del Castillo
Peintre et graveur espagnol (1737-1793)
Anotación: Retrato de Blas Lobo 1778.
Painting in the Casón del Retiro; Data taken from the National Calcography catalog
Manuscript annotation with pen and black ink at the top: “High side 3rd.”; With a brown pen and ink in the lower margin: “Suintila Rey de Españà à à la A del Mar/y at the head of his A to oblige à Patricio/General of the emperors of the Orient à q.e/leavi…
Summary: Taken from the painting of Mateo Cerezo that was in the Convent of Agustinos Recoletos of Madrid; Madrid, BNE, 1979; Work of José del Castillo, according to Barcia; …
Painting in the Casón del Retiro; Right upper angle registration: “15.”; Data taken from the National Calcography catalog
Painting in the Casón del Retiro; Data taken from the National Calcography catalog
Painting of Lucas Giordano in the antechamber of Casón del Retiro
It is the first stamp that was recorded for the main edition of the Quixote of the Academy. Carmona delivered the engraved stamp on October 3, 1774; Engraved in 1774; Based on the painting, erroneously attributed to Alonso del Arco, which the Count of Eag…
Inscriptions: in ang. inf. left, written in black ink “Joseph del Castillo. Rome: 1759.”; Remarks: on the back it is labeled with the number 81.; Artistic Heritage of the Faculty of Fine Arts,. I.P.A.F.B.A. No. 1943
Inscriptions: in ang. inf. left and written with black ink “Joseph del Castillo; Rome 1760.”; Remarks: on the back it is labeled with the number 91.; Artistic Heritage of the Faculty of Fine Arts,. I.P.A.F.B.A. No. 1953
Inscriptions: in ang. inf. left and written with black ink “Joseph del Castillo; Rome 1760.”; Remarks: on the back it is labeled with the number 88.; Artistic Heritage of the Faculty of Fine Arts,. I.P.A.F.B.A. No. 1950
Inscriptions: in ang. inf. left and written with black ink “Joseph del Castillo; Rome: 1759.”; Remarks: on the back it is labeled with the number 79.; Artistic Heritage of the Faculty of Fine Arts,. I.P.A.F.B.A. No. 1941
La pintura se encontraba en el oratorio del Rey en el Palacio del Buen Retiro; Inscripción al pie de la lámina: "El quadro original está en el oratorio del Rey, del Palazio del B. Retiro / su alto 2 pies, y 8 dedos. su ancho 6 pies y 6 dedos"
Al pie de la estampa lleva la inscripción: "El Quadro original está en el Refectorio de los P.P. Agustinos Recoletos, de Madrid"; Está fechado en 1778, pero la filigrana esta datada entre 1803 y 1816, lo que hace pensar que se trate de una estam…
Inscription by pen and black ink in the lower margin: “by Manuel Salvador Carmona,/Drawing to make the engraving.”/“Madrid - 1879”; Contramarca in the upper margin: J RUSE/1799 [cut]; Summary: Possibly later copy of the preparatory drawing (BNE, Dib/14/2/…
Manuscript annotation with pen and black ink at the top: “Greater side 4th.”; With a brown pen and ink in the lower margin: “Anibal with his A to of Spaniards and Afri/canos breaks p.r the harshness of the Montes/and feels his Royals in the skirts of” [cu…
Cut inscription, graphite pencil manuscript in the lower margin: “M. S. Carmona”/“1”; Work of Manuel Salvador Carmona, according to Barcia; Carrete relates it to the stamp engraved by Carmona/San Francisco de Asís, made in 1788, by sculpture of Julián San…
Painting in the Casón del Retiro; Right upper angle registration: “13.”; Data taken from the National Calcography catalog
Painting in the Casón del Retiro; Data taken from the National Calcography catalog
Painting in the Casón del Retiro; Data taken from the National Calcography catalog
Painting in the Casón del Retiro; Data taken from the National Calcography catalog
Painting in the Casón del Retiro; Data taken from the National Calcography catalog
Painting of Lucas Giordano in the antechamber of Casón del Retiro