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Donkey Rides on the Beach

In contrast to Hague School painters, Isaac Israels depicted the carefree, touristic aspect of the seaside resort of Scheveningen. He often used models for these scenes – in this case, his acquaintances Suze Pont, Agatha Pauw and her little sister. Israels worked rapidly: ‘Never work too much, no more than two hours at a stretch, do not fuss too long, otherwise you will lose your freshness.’

  • Rijksmuseum (opens in new window)
  • Rijksmuseum
  • http://iconclass.org/43B54
  • http://iconclass.org/31D1122
  • painting
  • Art of painting
  • Mr and Mrs Drucker-Fraser Bequest, Montreux
  • Rijksmuseum (opens in new window)
  • Rijksmuseum
  • http://iconclass.org/43B54
  • http://iconclass.org/31D1122
  • painting
  • Art of painting
  • Mr and Mrs Drucker-Fraser Bequest, Montreux
  • Rijksmuseum
  • http://creativecommons.org/publicdomain/mark/1.0/
  • http://creativecommons.org/publicdomain/mark/1.0/
  • false
  • Public Domain
  • Publiek Domein
  • c.1890 - c.1901
  • fourth quarter 19th century
  • first quarter 20st century
  • …; on loan from Jean Charles Joseph Drucker (1862-1944, Montreux) and Maria Lydia Drucker-Fraser (1886-1944, Montreux), with 167 other paintings, to the museum, 1919;{Note RMA.} by whom bequeathed, with 168 other paintings, to the museum, 1944
  • http://hdl.handle.net/10934/RM0001.COLLECT.8807
  • SK-A-3597
  • height 51 cm
  • width 70 cm
  • canvas
  • oil paint (paint)
  • Canvas
  • nl
  • collection: paintings
  • collectie: schilderijen
  • Netherlands
  • 90402_M_NL_Rijksmuseum
  • 2014-05-27T20:15:41.318Z
  • 2018-03-17T14:37:53.151Z