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Autumn Landscape

Weissenbruch spent a great deal of time in the village of Noorden along the Nieuwkoop lakes, where he ventured out to sketch, even in poor weather. He worked up these sketches later in his studio. In Autumn Landscape the paint layers were applied wet-on-wet in an ultimate attempt to capture on canvas the damp atmosphere of the Dutch polder landscape.

  • Rijksmuseum (opens in new window)
  • Rijksmuseum
  • http://iconclass.org/25I3
  • http://iconclass.org/46C232
  • painting
  • Art of painting
  • J.B.A.M. Westerwoudt Bequest, Haarlem
  • Rijksmuseum (opens in new window)
  • Rijksmuseum
  • http://iconclass.org/25I3
  • http://iconclass.org/46C232
  • painting
  • Art of painting
  • J.B.A.M. Westerwoudt Bequest, Haarlem
  • Rijksmuseum
  • http://creativecommons.org/publicdomain/mark/1.0/
  • http://creativecommons.org/publicdomain/mark/1.0/
  • false
  • Public Domain
  • Publiek Domein
  • c.1875 - c.1903
  • fourth quarter 19th century
  • first quarter 20st century
  • http://hdl.handle.net/10934/RM0001.COLLECT.6525
  • SK-A-3093
  • height 41.3 cm
  • width 66.5 cm
  • canvas
  • oil paint (paint)
  • Canvas
  • nl
  • collection: paintings
  • collectie: schilderijen
  • Netherlands
  • 90402_M_NL_Rijksmuseum
  • 2014-05-27T20:15:13.533Z
  • 2018-03-17T14:37:43.180Z