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Deleuze, Adorno, and the composition of musical multiplicity

Th is text, fi rst published in Deleuze and Music, edited by Ian Buchanan and Marcel Swiboda (Edinburgh: Edinburgh University Press, 2004), pp. 54–74, Nick Nesbitt compares Th eodor W. Adorno’s negative dialectical approach with Gilles Deleuze’s antidialectical approach to the question of multiplicity and diff erentiation within music. Nesbitt concludes with a consideration of the attempts made to…