PHOTOCONSORTIUM: Sofie Taes, Curator

Europeana: Douglas McCarthy, Exhibition Editor
Małgorzata Szynkielewska, Exhibition Producer

Further reading

Processes, perspective, color theories: M. R. PERES, The Focal Encyclopedia of Photography. Digital Imaging, Theory and Applications, History, and Science, 4th ed., Burlington-Oxford, 2007.

Line, shape and form in photography composition:

Jaromír Funke and Czech photography, 1920-1939:

Fratelli Alinari and early photographic practice in Firenze: A. C. QUINTAVALLE, M. MAFFIOLI, Fratelli Alinari. Fotografi in Firenze. 150 anni che illustrarono il mondo, (exh. cat.), Firenze, 2003.

The rule of thirds:

Robert Harris: K. THOMAS & L. GREEN, Photography in and out of Africa: Iterations with Difference, Oxon-New York, 2016.

Peter Henry Emerson: P.H. EMERSON, Poetry in Photography, (Writings on Photography), ed. by MuseumsEtc, 2014.


Adolphe Braun:

Still life painting: A. CHONG, W. T. KLOEK & C. BRUSATI, Still-life paintings from the Netherlands, 1550-1720, Zwolle, 1999.

Still life photography: P. MARTINEAU, Still Life in Photography, Los Angeles, 2010.

Collage techniques in art:

Collage techniques in photography: and

Pere Català Pic:

Martin Gerlach:

Marcel Neumont:

The Wunderkammer / Curiosity cabinet / Cabinet de curiosité: and F. FEARRINGTON, Rooms of Wonder: From Wunderkammer to Museum, 1599-1899, (exh. cat.), New York, 2013.

House ‘De Gulden Spoor’:

Heinrich Kühn:

Autochromes: J. WOOD, The art of the autochrome: the birth of color photography, Iowa City, 1993.