61
Ergebnisse innerhalb von
Person
Manuel de la Cruz
Manuel de la Cruz
Spanish artist (1750-1792)
In the verse, sketch in black pencil of a male figure in profile (it looks like a calco); Preparatory drawing to record the work Collection of costumes of Spain, both ancient and modern, that comprehends all of its domains. Madrid, 1777. ER/3393 (1), ER/3…
Manuscript annotation, possibly autograph, with brown pen and ink, in the lower margin: “Aguador de Zevada, and his wagon.”; In the verse, handwritten numerical annotations: in blue pencil: “21”; in black pencil: “1”/“2816”/“G-3”/“B. 1035”; Summary: White…
Manuscript annotation, possibly autograph, with pen and brown ink, in the lower margin: “D. n Antº Rosales... What I want is to be ansina/and have Maridos mil.”; Handwritten annotation in pencil in the lower right corner: “Poland Rochel?”; In the verse, h…
Filigrana cut into the left edge: fleur-de-lis inside a shield crowned and topped in the bottom by an inverted cup with initials almost hidden by the drawing; Summary: Possible preparatory drawing to record the work Collection of costumes of Spain that pr…
Manuscript annotation, possibly autograph, with pen and brown ink, in the lower margin: “Chinita, Comico ridiculo/en el sainete de Manolo.”; Summary: Possible preparatory drawing to record the work Collection of costumes of Spain that probably did not get…
Manuscript annotation possibly autograph, with pen and black ink, in the lower margin: “Spanish pitimetra, with mantle, as bisten in the Sema-/na Santa.”; Summary: Whole figure, standing 3/4 left. Black costume and blanket; Summary: Preparatory drawing to…
Summary: Whole figure standing, 3/4 facing right; Summary: Preparatory drawing to record the work Collection of costumes of Spain, both ancient and modern, that comprehends all of its domains. Madrid, 1777. ER/3393 (9); ER/3395 (9); Summary: It belongs to…
Manuscript annotation, possibly autograph, with pen and black ink, in the lower margin: “Maja de Naranjera á lo chusco.”; In the verse, handwritten numerical annotations: in blue pencil: “2”; in black pencil: “2”/“2805”; Summary: Preparatory drawing to re…
Manuscript annotation, possibly autograph, with pen and brown ink, in the lower margin: “Aguador (Valenciano) de Zevada”; In the verse, various annotations; in blue pencil: “3”; in black pencil: “3”/“B. 1017”/“2806”; Summary: Preparatory drawing to record…
Summary: Possible preparatory drawing to record the work Collection of costumes of Spain that probably did not get to be recorded, according to Barcia; Summary: It belongs to a collection of forty-four original drawings (B-1915/B-1058, Dib/14/4), made for…
Summary: Preparatory drawing to record the work Collection of costumes of Spain, both ancient and modern, that comprehends all of its domains. Madrid, 1777. (BNE, ER/3393 (20); ER/3395 (20)); Summary: It belongs to a collection of forty-four original draw…
Summary: Whole male figure, standing 3/4 on the right, with a hat and layer; Summary: Preparatory drawing to record the work Collection of costumes of Spain, both ancient and modern, that comprehends all of its domains. Madrid, 1777. (BNE, ER/3393 (11); E…
An. ms. Ink in the upper margin: “Via. al Par. P. 155.”; An. ms. Ink on lower edge: “De la Numancia”; Preparatory drawing for the stamp included in: Viage al Parnaso.../composed by Miguel de Cervantes Saavedra. Madrid: By Don Antonio de Sancha, 1784 (R/10…
Summary: Composition for Breast. In the lower part a child angel with a tablet with the inscription: “FORTALEZA.”; Work of Manuel de la Cruz, according to Barcia who considers autograph signs; Title and mention of responsibility taken from the inscription…
[La coronación de María]; Biblioteca digital Dioscórides. Grabados.; Grabados (Biblioteca Histórica UCM).; …
Digital copy. Valladolid: Junta de Castilla y León. Consejería de Cultura y Turismo, 2009-2010
Illustrations: Illustrations; Illustrations: Plates
[Los borrachos]; Biblioteca digital Dioscórides. Grabados.; Diapositivas (Biblioteca Histórica UCM). 1031.; …
There is at least one state of this edition, in which the preliminaries see a typographical error of pagination on the last page: ixv [i.e. xvi]; There are editions with variants in the typographical composition, with identical bibliographical description…
Manuscript annotation, possibly autograph, with pen and brown ink, in the lower margin: “A Man playing the Zambonba.”; Summary: Zambomba is a big tinge. The man wears a white leviton that reaches his feet and a sleeping hat.; Summary: Possible preparatory…
Manuscript annotation, possibly autograph, with brown pen and ink, in the lower margin: “Spanish, as it is walked with its layer and hat.”; Summary: Possible preparatory drawing to record the work Collection of costumes of Spain that probably did not get …
In the verse, numerical annotations in black pencil: “B. 1037”/“2817”; Summary: Boy on the donkey cast between the waterholes, which are of pleita.; Summary: Possible preparatory drawing to record the work Collection of costumes of Spain that probably did…
Black Pencil Manuscript Annotation in the Lower Right Corner: “(Josefa Carreras”; Summary: Figurin for the comedy of layer and sword of D. Pedro Calderón de la Barca “There is also mourning in the ladies.” The actress appears dressed in black saya, incarn…
Manuscript annotation, possibly autograph, with pen and brown ink, in the lower margin: “Aguacil segun comes out in the Fiestas de los Toros.”; In the verse, handwritten numerical annotations in black pencil: “4”/“2832”/“H-1”/“B. 1053”; Summary: On horseb…